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I was chatting with a curator and an director of education from a museum recently, and we got into a lively discussion about social media.

I had a moment of clarity โ€“ these are the people that should be writing on Facebook and Twitter. The curator has the passion about the subject your audience cares about. Why not give them access? Curators can seed the conversation by seeking out rare artifacts or interesting stories from the collection. This content will drive audience interest and brings the collection of a museum online.

Plus, curators and educators are able to offer the behind the scenes experience that is a powerful perspective to offer via social media. People like to find that they get an insider view of the museum. Besides, museums figured this out a long time ago when it came to membership levels โ€“ the more you paid, the more access to the art, artists, and curator you received. This desire to be on the inside can be achieved through social media with ease and impact.

For example, this week the MoMA shared its original rejection letter that it sent to Andy Warhol on its twitter feed. Sharing history and stories builds connection and intimacy with your audience.

Start building this intimate relationship with your audience โ€“ tap your curator and education department for great stories about art, artists, and your museum history.

Jason Smith
Nov 13, 2009

“We love how beautiful, functional and impressive our site looks,” said Gina Keir, Director of Public Relations and Marketing. “It is now commensurate with the incredible art museum that we are.”

The previous site sidelined the art and put a heavy emphasis of the web site elements such as navigation. In its reincarnation, OHO flipped this around creating a navigation scheme that is minimalist and pushes the content to the front with large, oversized images and the capacity for full-screen slideshows.

“Web 2.0 museum website design is all about putting the art and the experience of art front and center,” commented Jason Smith, Chief Creative Officer at OHO. “The web is a visual medium. People scan for information and read micro-content. We encouraged the marketing team to focus on showing – rather than telling – why the museum is a great place.”

www.katonahmuseum.org

OHO Newsletter
Apr 29, 2009
Museums

Chief Creative Officer and Managing Director Jason Smith has been invited to speak at the 2009 New England Museum Association Conference.

His topic will be: "Web 2.0: You've Lost Control of Your Internet Marketing."

The session will briefly introduce the concept of Web 2.0 – that is, the cultural shift towards user-created and highly-personalized content – and then dive into exploring how to best use Web 2.0 applications such as YouTube, Flickr, and FaceBook to build relationships and promote your organization.

Attendees will learn:

  • The spectrum of Web 2.0 applications and the time commitment required to effectively use these applications
  • Strategies for using Web 2.0 applications such as FaceBook, YouTube, and Flickr
  • How to use social networking to build relationships with 20 and 30-somethings
  • How these free services can save your organization money

At the end of the session, attendees will have the understanding to get started using these applications to promote their organizations.

The conference is November 11-13, 2009 in Nashua, NH.

Read more about the conference.
 

Jason Smith
Apr 28, 2009

The Brooklyn Museum has rolled out a $20/annual membership aimed at reaching 20 and 30-something year olds. It is called 1stFans. In addition to providing access to exclusive on-site mingling events, members get exclusive content created by artists via social networking tools such as Facebook, Twitter, Flickr – and, for the less socially networked – e-mail.
Learn more about 1stFans Memberships.
Membership Page and Videoes.

Jason Smith
Mar 20, 2009

A New York Times audio reports states that due to the economic pressures we'll begin to see more exhibits from permanent collections. These shows will require new strategies to bring in audiences because they don't have the same draw as large shows assembled from the collections of other museums. Some museums are trying turning their galleries into a community meeting place where people will meet friends and offering non-traditional programming such as yoga classes.
Read full article here.
Listen to the report here.

Jason Smith
Mar 19, 2009
Design, Museums
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